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A Prominent Voice - The Naoko Yamada interview - Page 2

A Prominent Voice - The Naoko Yamada interview - Page 2


Moving on to A Silent Voice, I think it's fair to say that it's fundamentally a very different story to something like K-ON or Tamako Market - did you approach directing the film differently as a result?

Naoko Yamada: The main theme is pretty much the same in anything, whether it's Tamako Market, K-ON or A Silent Voice - it's about human spirit and emotions. But I think with A Silent Voice I'm dealing even more with emotions, so it may feel more visceral if you like. I wanted to create a movie that would provoke senses in the audience, not just emotions.

How do you find the process of directing a film compared to a TV series? Are there any unique challenges to directing a film?

Naoko Yamada: They're both fun, but the kind of fun is a bit different. With television, each episode has its own team, so I work with different teams to ultimately make a bigger picture, whereas with a feature film the same team works on it from the beginning to the end and we are making one big picture. They're both fun, but slightly different, so the fun aspects are different.

What was your relationship with the source material for the film - had you read the manga before being attached to directing the movie?

Naoko Yamada: Everybody in the studio was talking about it as a great manga and how I must read it, but I sort of knew that if I read it I would want to direct it. So, I didn't read it until I actually got the offer to direct the film, and just wished for it to come true!

What were your first thoughts on reading the source manga - was there anything you latched onto that you most wanted to convey in the film?

Naoko Yamada: This film is about human kindness, and obviously the manga's story deals with this very deep theme and it's quite sensational in a way. But, I think that's just a small part of the whole story. Basically, what the story is saying is "I want to understand the other person" and "I want to be understood"; I want to say "I love you", and I want the other person to say "I love you" to me. It's about those raw, fundamental human emotions that are really important, and I wanted to convey all of this in the film - it's all prominent in the manga and I didn't want to make it any less important than the disability or the bullying in the story.

With so many characters in the manga seemingly having important stories to tell, was it difficult deciding where to keep your focus for this film adaptation in terms of what to keep in and what to leave out?

Naoko Yamada: Yes, a lot really had to go. It was like losing my limbs, because the original work is great and all of the characters are fantastic, but fundamentally the story is about Shouya so I really had to focus on him and really couldn't lose that. As a director, I was constantly aware that I couldn't shift my focus away from him, so a lot had to go but I think I was able to compensate by creating a very, very good character in Shouya I hope.

One thing that stood out to us particularly was the voice acting for Shouko, the main female character, and how that voice acting pertains to her disability. Was that something you had any particular input on?

Naoko Yamada: I didn't really go into any detail - I told the voice actress Saori Hayama what Shouko Nishimiya is like, what's important to her, how she acts on the surface and what she's actually feeling inside. We also had a real deaf person to train the voice actress, but Saori Hayama didn't really copy her and chose to interpret how the character is feeling and adapted from there. We wanted to create a character who is more attractive as a person in Shouko.

The film starts with a montage set to The Who's My Generation - what made you choose that song specifically to kick off the movie?

Naoko Yamada: Everybody all around the world probably knows this song, and the sound director Mr. Tsuruoka said that he wanted to use something evergreen that everybody can relate to.

Shouya as a boy - whether he's aware of it or not - feels like he's invincible but he's also really bored and frustrated. I wanted to describe his emotions - his boredom, his frustration, his rebellious teenage feelings - and I felt like this song contains all of that, which I chose that song.

That's all we have time for, so to close things out do you have a final message for fans of your work, and to anyone going to watch A Silent Voice?

Naoko Yamada: Hello everybody! I believe and hope that this film can appeal to a broad audience. It's about human emotions, and everybody has that small feeling of weakness somewhere and you always hope that nobody might see it. I really want the audience to feel that, and for people to feel as happy as Shouya will be eventually.

Thank you very much, it's been a pleasure talking to you.

Naoko Yamada: Thank you.

A Silent Voice arrives in UK cinemas nationwide on Wednesday, 15th March 2017 - you can find screenings and book tickets on the official web site.


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Andy Hanley

Andy has been writing for UK Anime since 2006, and is currently the site's editor-in-chief.  Contrary to popular belief, Andy is not actually a robot.


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